wolven7 | He thought he was Age. Well that's fine, but I am eternal.

I'm in the cavernous basement, of some House, and there are people, who have disappeared. I'm working with the Scooby Doo gang, and trying to solve the mystery. It turns out, there's an undead pirate, there, who thinks that he has become the anthropomorphic personification of Age, Itself. He turns those who stand against him into zombies, and makes them really really old, but they can't die. He does this to Scooby Doo, and tries to get Shaggy, but he runs away. Scooby is shambling around, ancient, zombie dog, on hind legs, and he's deeply afraid, more than he's ever been in his life. The Undead Pirate of Age comes over to me, and grabs my shoulder. He says "I am Age, itself, and though you may resist, I will still destroy you in the end." I scream "No!" and try to run for the stairs, but he grabs me, and holds on, and drags me back. He tells me that i can't resist him, and that it is all over{, and he starts trying to make me an old zombie}. I look him in the eyes, and i tell him, that, "No, it Isn't over. It is never over, because i am Forever. I have always existed, in the fire, and web of all that which is. If you are age, then i am eternal. I am destruction, i am creation, i am Life, and i am Death, i'm fire, and burning, and all that which is generative, and corrupting. And I. Am. For Ever." And i can see his thread in the fabric of creation, and i can either tie it off, or i can reweave it, without him. So i cut that thread, and he is gone.

Montage shots of riding, chase scene-like, through streets, that are like DC, with construction, and kindof like places in Atlanta, and Tokyo. At one point i am in the car that's being chased, as well as on top of the car that is chaising us. And everyone is there, somewhere. We're trying to get toi this important meeting, or party, or something, and people are trying to kill us.

Inside of the House, from before, but it's not simply a house, it's Union Station, in DC, and 30th Street Station, in Phily, and it's the Marriot Marquis, in New Orleans, and it's the United States Captiol Building. And we're still chasing.

More detail on the car scenes, transfers, from cars to cars, and Joe Pesci is there, as well as Mel Gibson, and Danny Glover. We're going through these sheets of conscruiction plastic, in a downtown, renovating area, being chased.

Back in the building, and it's also taken on aspect of Howard Law School, in DC, and there's some kind of conspiracy, going on, and me and Joe Pesci are trying to figure out what it is, and who's behind it. We're sneaking through the building, looking for clues. We're inthe back, in the heaviest area of construction, and we know that this is where the bad guys live, and Joe Pesci finds a Dime, but the dime is counterfeit. Or It's from two years in the future. Either way, it's some evidence. Joe Pesci can't go on, for some unknown reason, and i have to book it back through the hall. I run, some, and then i get on my stomach and slide past the place, where there's a woman talking on the phone, and she's conspiring, with the other bad guys. I have on my leather trench coat, so the sliding on the carpet is made slightly easier, for that. I get past her, and into the stair well. The buildiung has started to take on aspects of the Mall In My Head, and The Office Building, as well, but the stairs are still like Union Station, and Howard Law. The Stairs curl counter clockwise, going down, and they are off set enough so that the slant of the whole thing is kind of like / but not really. It's also a widening spiral. I place my hands on the banister, with my legs over the outside, and i slide down, for many many stories. I land, and i look out, to the lobby, because i'm still a couple of stories up. I See Joe Pesci, but he's become this guy i used to know, Jean-Pierre. He also, unfortunately, seems to have become evil, in the process. I was going to call out to him, and give him the dime, but, instead, i keep going down the stairs, so that i can expose the conspiracy. I wake up

And those were my dreams, last night. (The Cure - [Pictures of You]). Definately interesting, to say a little. Now i'm going to go see what i can do about food, and figuring out when i'm supposed to be doing What, today.

So, i'll talk to you all later.