Oct. 27th, 2012

wolven7: (Emotion-Intensified)
Don't read this rant if you haven't seen past S2 of Fringe and don't want some things spoiled for you.

That being said, I swear to god, I would have preferred the universes had merged into some kind of conglomerate of both universes, especially if it meant something better for the show than this bullshit. I feel like I'm gonna have to rewatch BladeRunner, Primer, Source Code and ALL of Lain to get the taste of this season out of my brain.

And if he ends Fringe via some kind of time travel jump back to "undo the wrongs of the past," or some other "And It Was All A Dream" fuckery, I may have to swear off Abrahms' television. Well. Unless that dream was Walter's bad trip, and he wakes up covered in Strawberry milkshake and Redvines, with Astrid shaking him, and he just says, "And that, my dear Astro, is why you don't mix mescaline, LSD, and psilocybin."

Honestly, it's as if every time they're about to do something ground-breakingly conceptual, they get gun-shy & cringe away from the heady stuff. Well guess what, motherfuckers! It's your last goddamn season! This is the point at which you should've pulled out all the stops and toccata-and-fugued this bitch into the ground! But no. Instead we get this weak-tea, hackneyed "Future-Wars!" bullshit, and then, AND THEN! we veer off into last night's "now it's personal" idiocy?!

I know five people who could've written the last fifteen episodes of Fringe better in their fucking sleep. More coherent, more emotionally effective, and indicative of a season arc that makes Sense. One where maybe we explore the implications of merged mirror universes. Where we investigate the nature of identity and selfhood. A story where the love that allows Peter back isn't a nebulous Universal! Force! but rather the alteration/evolution/corruption of An Observer such that he now cares enough about This One Person to allow for a loophole (a singular device, out of place in time). An occurrence for which we have precedent, in show.

In this version of events, you would still get to carp on about the Power Of Love, but you'd do it in a way that made the love in question both more personal and possessed off farther reaching implications, rather than inexplicably making the show into "Fringe: The Story Of The Boy Who Was Loved More Than Anyone Else Has Ever Been Loved And Thus Was Re-Written Back Into Time."

Jesus, I sound like Chris Matthews, after the first 2012 US Presidential Debate.

the pAper chAse - [I Did a Terrible Thing]--- I'm still in this, until the end, just like I said I'd be, but with each passing episode, I'm feeling less secure in that decision.
wolven7: (The Very Devil)
Android Lust - [Sex and Mutilation]--- Here. Have something much more positive than that Fringe rant I just cobbled together:

An Interview With Kim Boekbinder about Space

Just now, Kim has been working on a new album about space, collaborating with astronomers, physicists, and people who are just plain interested in the subject. She's been funding the project through Kickstarter, and has been providing regular updates to fans and supporters.

Recently, I got the opportunity to ask Ms. Boekbinder some questions about her work, the focus of her current project, and the shape of crowdfunding today.

Wolven: How long have you known that music is what you wanted to be doing? How'd you get into this life?

Kim Boekbinder: In October 2005 I bought a guitar. I learned a few chords, wrote a few songs and then got my first gig on January 10th 2006. I was so nervous before the show that I felt nauseated for a week. But after I made it through that first show I knew that this was what I wanted to do forever.


More and more at the link.

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