Nine Inch Nails - [The Becoming]--- Today I'm thinking about the conjunction of Tulpas and Doors.
Specifically, I'm asking myself what is it that we actually do we do when we create a persona, an avatar of ourselves, and then send it out into a place-- a created field of interconnected contexts-- for us? We are engaged, at that point, in bounding, shaping, and emphasizing particular components of ourselves, to be seen by and to engage with a particular set of different people, in different ways. (David Bowie - [Seven Years in Tibet]). We reshape ourselves, consciously or un-, to better adapt to the task at hand.
When we open a door, when we step into a mutually created space, we are accessing the collective construct that all who have gone before us have had a hand in accessing and creating, and by so doing we shape and are shaped by this construct. We add to the concept even as we're constrained by and limited by it, but when we seek to create a radical inversion of the place as it has formally been created, we have to ride a tight line of doing so in such a way as it recognisable to others as communication/communitarian engagement with space, while simultaneously rifitting and undermining the structures as they exist.
Tool - [Forty Six & 2]--- The problem with this is that the only thing we have with which to do that, is the structure itself. And so we must radically deconstruct and reconstitute the process of languange and communication and the co-created structures of agreed-upon conceptual apparatus, such as "Self" and "Place," in order that we may effect radical, beneficial change in perspective and what we see as potential.
Because the hip-bone's connected to the leg-bone.
Specifically, I'm asking myself what is it that we actually do we do when we create a persona, an avatar of ourselves, and then send it out into a place-- a created field of interconnected contexts-- for us? We are engaged, at that point, in bounding, shaping, and emphasizing particular components of ourselves, to be seen by and to engage with a particular set of different people, in different ways. (David Bowie - [Seven Years in Tibet]). We reshape ourselves, consciously or un-, to better adapt to the task at hand.
When we open a door, when we step into a mutually created space, we are accessing the collective construct that all who have gone before us have had a hand in accessing and creating, and by so doing we shape and are shaped by this construct. We add to the concept even as we're constrained by and limited by it, but when we seek to create a radical inversion of the place as it has formally been created, we have to ride a tight line of doing so in such a way as it recognisable to others as communication/communitarian engagement with space, while simultaneously rifitting and undermining the structures as they exist.
Tool - [Forty Six & 2]--- The problem with this is that the only thing we have with which to do that, is the structure itself. And so we must radically deconstruct and reconstitute the process of languange and communication and the co-created structures of agreed-upon conceptual apparatus, such as "Self" and "Place," in order that we may effect radical, beneficial change in perspective and what we see as potential.
Because the hip-bone's connected to the leg-bone.
no subject
Date: 2011-02-13 05:36 pm (UTC)no subject
Date: 2011-02-14 03:36 am (UTC)As we wrap our concepts up in language we forget/miss that the structure frames the mode of expression, and that mode then perpetuates the frame.
I think that without an attempt to use the structure against itself-- to invert the process of the appropriation and application of meaning-- we end up letting the architecture of language completely rule us. :)
no subject
Date: 2011-02-14 05:45 pm (UTC)no subject
Date: 2011-02-15 04:33 am (UTC)